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Since Covid all my regular teaching and workshops have been cancelled, also major events such as large shows which I would normally be very busy preparing for - suddenly my working life is entirely different! Luckily I have been and still am busy with lots of orders (PLEASE keep them coming) which I have enjoyed having dedicated time to weave rather than fitting my making in between my teaching which is my normal situation. Family and friends have also taken the opportunity to order baskets which they have hinted about for years and I have even woven a Cyntell for myself. I am planning to continue making stock (which I never normally have) if and when I run out of orders.
This year I was supposed to be teaching 2 long courses in Harrogate for the National Basketmaker's Association in April and in Iowa in the USA in June. I spent the time I would be teaching in April weaving instead, a lot of traditional baskets but some more contemporary as well as in the pictures. The Welsh baskets I make and teach require a lot of advance preparation and also a lot of material to be harvested and prepared for students to use during class. The Cyntell, the Welsh Shopper and the split rib Trug are made on preformed frames which are traditionally made a year in advance. I have just worked out that the preparation of the frame and first 4 ribs takes around half the time of the construction of the whole basket. Each Cyntell basket requires 7-8 rods of 2 year old willow at least 1” thick, one of these is used to wrap tightly around a circular forma for the rim and the others are then split and shaved. 4 of these are dried around formas, the pattern of which has been handed down from D J Davies. The Llangwm Fisherwomans Pannier needs 15 pieces of green hazel for the frame as well as the weaving willow. I have used my newfound time well to process the large amount of willow and hazel which I had already harvested for the 8 Harrogate students so now have many frames drying - they won’t waste and next winter I will be able to weave instead. I have also experimented with adapting some of the designs - something I have been planning on doing for years. These frames and ribs are drying currently but new work should emerge from this situation which is exciting. I am really missing my City and Guilds students who I usually teach every month but we are keeping in close touch through Whats App, emails and video and Skype support, I have also been experimenting with preparing some instructional videos - thank goodness for modern technology! I have a shop on my website and also have an Etsy shop but need to spend time working on my SEO for this as I don't get any orders from it!
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Out on the Sands,
the harvest was high-tide, breaking backs at low ebb, wily to the black quicksand. Jam-pot candles shepherd the sherpas sleeping on the shelly greens along the dark.. Side-saddle, our shawled queens pick their path from bolster to beds, pixies bowed to the brunt of the wind, cram and scrap still warm from the Rayburn, their sieves as big as sombreros. Bent triple, they scrape, draw, scrabble and pile the nutty sludge, spitting, to shake and swivel, then swirl in pill and pit. From pail to sacks and slumped panniers on the tide-bent backs of steeds who sure-hoove over the logged pools and switchback currents, to dunes of cockles cooked in gypsy-boilers on the flat by the Ship. This world is born, with birds singing happy as anything. Under the foundry light like a Bethlehem star, the dawn opens with fluted shells gaping in the steam-spit and broth of their bubbling sea.. Scalded and shelled, seared and rinsed, riddled soft meats, jewel through mesh tombolas, to be spread on plank-woods to cool. Panning for gold in the Penclawdd Klondike; these nuggets of the sands, gold as yolks packing the cheeks of the blind weaver’s baskets, brim-full and seaward, to be sailed with starched linens, spread like altars for the Swansea-bound train. A tapestry of gatherers, woven in red and black, freighted with cockle-meat stwcs on their bonnets and a basket in each claw; armed for market and the thresholds of their patches, where each steeled step is carved in stone. Pixies : bonnet Cram and scrap : carved knife and rake. Stwc : basket worn on head.o edit.Out on the Sands, the harvest was high-tide, breaking backs at low ebb, wily to the black quicksand. Jam-pot candles shepherd the sherpas sleeping on the shelly greens along the dark.. Side-saddle, our shawled queens pick their path from bolster to beds, pixies bowed to the brunt of the wind, cram and scrap still warm from the Rayburn, their sieves as big as sombreros. Bent triple, they scrape, draw, scrabble and pile the nutty sludge, spitting, to shake and swivel, then swirl in pill and pit. From pail to sacks and slumped panniers on the tide-bent backs of steeds who sure-hoove over the logged pools and switchback currents, to dunes of cockles cooked in gypsy-boilers on the flat by the Ship. This world is born, with birds singing happy as anything. Under the foundry light like a Bethlehem star, the dawn opens with fluted shells gaping in the steam-spit and broth of their bubbling sea.. Scalded and shelled, seared and rinsed, riddled soft meats, jewel through mesh tombolas, to be spread on plank-woods to cool. Panning for gold in the Penclawdd Klondike; these nuggets of the sands, gold as yolks packing the cheeks of the blind weaver’s baskets, brim-full and seaward, to be sailed with starched linens, spread like altars for the Swansea-bound train. A tapestry of gatherers, woven in red and black, freighted with cockle-meat stwcs on their bonnets and a basket in each claw; armed for market and the thresholds of their patches, where each steeled step is carved in stone. Pixies : bonnet Cram and scrap : carved knife and rake. Stwc : basket worn on head.  1867 The Gower Cockle Basket is a basket which until 2017 I had heard about but never seen. I was asked to work with the organisation the Gower Landscape Partnership to run a series of Rural Skills Workshops leading up to the possible recreation of the Gower Cockle Basket. 
From my research I discovered that there were actually 2 distinct styles of Cockle Baskets. A very large hazel frame basket (prewar, hazel, made by local men for cockle picking families) of which smaller, more rounded versions were also made and then a large, later, oval stake and strand basket made from willow and cane, these were made from around 1950 at Swansea Institute for the Blind and also by one of the basketmakers there, George Frost of Bishopston, who also made the baskets at home in his spare time. The National Museum of Wales holds a reproduction Frame basket (made of hazel and cane) and a very damaged Stake and Strand basket. During the research period we have found 2 frame baskets and a stake and strand basket. The Gower Cockle Basket hasn’t been made since around 1973 and there is no living person who knows how to make them, as far as we know, so the skills could not be directly handed down. The process of recreating the basket has been to copy an existing basket which was loaned to us for the project. Research process My first step in the research, of course, was to search the internet for images and information relating to the Gower Cockle basket. This became quite complicated and confusing with many different images being available, some not even from Wales. I roughly sorted the images into date order and then realised that the 2 different cockle baskets were probably from different times with the frame basket being older. I visited Helen Campbell in Login, Carmarthenshire who has undertaken extensive research into Welsh Baskets - although not much relating to this specific basket. She gave me photographs, 2 Laugharne Cockle Baskets (made of split willow) to look at, sketches and handwritten notes about the basket. She had also made a reproduction frame cockle basket herself from willow. One of the photographs she gave me was of a large frame basket of split wood construction, we have tried to track this one down but sadly it seems to have been lost.  My next visit was to the National Museum of Wales which holds 2 cockle baskets, a reproduction large frame basket made of cane in 1969 by David Davies of Penclawdd and a very damaged, original stake and strand basket. I took a lot of photographs and dimensions during this visit so that I was able to study carefully and begin to understand the construction of the frame basket. At this stage, when faced with 2 different styles of baskets both recorded as Penclawdd cockle baskets I realised a lot more research was going to be needed. I applied to the Basketmaker’s Association for a bursary which would help with travel and other expenses which was duly granted and which I am very grateful for.  Gower Landscape Partnership (GLP) Courses The GLP courses I had planned were designed to build students skills towards being able to weave a cockle basket. They were a mixture of frame basket skills, stake and strand basket skills and some other courses which would teach skills which would have been in regular use in rural areas during history on the Gower such as hurdling, shelter building and also recreating a simple fish trap. There is archeological evidence of a large bank of fish traps in Swansea Bay which is called the “Swansea Fish Trap’ - but that is another story! On one of these initial basketmaking courses I was lucky enough to meet a student called Suzy Mayhew. Suzy was to become my local connection with the Gower and Penclawdd and from this point the research really took off. Suzy arranged for me to visit the son of a Cockle Picker, Huw Thomas. Huw arranged for me to meet Jeff Williams, who owns one of the 3 remaining cockle factories in Penclawdd, and Dulcie and Randall Thomas. Through these wonderful people I discovered more about the hazel frame basket and to my delight Dulcie had one which her father had made and which she has loaned to me for the project. This is a beautiful basket which was smaller than the large baskets taken to the sands for gathering cockles and was an arm basket used for selling cockles door to door. It had a fancy skeined handle for catching the eye of the cockle buyer.
Recreating the Cockle Basket This was the how the 4 day course ran: Cutting Hazel - we visited Morlais Woods in November when the leaves had dropped. This is where the original hazel was cut for the baskets. The hazel for stripping needs to be slow growing from North facing slopes so that the growth rings are fine and even. Conditioning hazel - we then left the hazel to condition for a couple of months, simply stood upright in a barn. Constructing frames for baskets - The basket has a hazel frame. The handle forms a knot at the bottom which is tightly twisted to hold. The frame is made of two parts joined at the handle crossing point with two fine slypes which sit onto of each other (as opposed to next to each other which is how I have learned to make this join). This is to allow the initial hazel strip which is making the knot to be held between the slypes before making the knot. Constructing a frame Basket - Before the students embarked on weaving their own baskets it was important that they understood the construction of the frame basket. We studied the original cockle basket and mocked up mini versions of the basket from willow. Stripping fine strips from Hazel rods for weaving and ribs - Raising hazel strips from rods is a very physical activity which needs a lot of practice to master. The hazel rod is bent and manipulated either over the knee or a forma in order to encourage the growth rings to separate lengthwise down the rod. Once you can ‘feel’ this has happened a small knick is made in the rod and you run your finger behind the strip and encourage it to lift off. This is repeated around the rod until only the central core is left which is used to make the ribs of the basket. The strips are then ‘dressed’, shaved thinly and evenly with a knife in order for them to be weavable. Students had differing levels of success with this process but everyone managed to make some strips to weave into their baskets.  Tying the Penclawdd Knot (unique to this basket) - The knot which ties the handle to the frame is unique and different from any other basket I have seen. There is a fairly simple cross beginning but then the end of the strip is used to wrap the first 6 ribs in place from the beginning using an overwrap method. This is very efficient in setting the shape of the basket right from the start. Weaving the Hazel Frame basket The students set up their frame baskets and used a jig which I had made to set the ribs in similar positions to Dulcie’s and then wove the baskets to the end. The first Cockle Baskets to be woven on the Gower since around the Mid 1970’s have been made as part of this project and probably the first ever to be made by a woman! Huge thanks go to everyone who helped with the project:
The Gower Landscape Partnership Helen Campbell Suzy Mayhew Dulcie and Randall Thomas Huw Thomas Jeff Williams Kaye Beynon All the students involved in the project Penclawdd Pensioners The family of George Frost Jo McGaughey Gareth Beech at St Fagans Pascal Lafargue at St Fagans Margaret ap Gwent of the Gower Society
  This week I've been busy weaving a willow coffin with a dear friend. Using willow from the family garden, we wove a beautiful coffin. I've put together the following short video to show you how I wove the plaited border for the coffin. Contact me if you are interested in finding out more about willow coffins.  The Cyntell The Cyntell is the traditional Welsh framed farm basket which was used for many agricultural purposes. The frame for the Cyntell is made from very stout hazel or willow which is harvested in the winter months and wrapped round a circular forma – made from MDF or an old bicycle wheel – and left for several months to dry naturally. The baskets range between 18 and 22 inches in diameter and were originally designed to fit into each other for storage when the baskets were not being used. The size of the basket is determined by the diameter of the hoop. The Cyntell basket also has ribs which are shaved from willow and also dried around formas. I was taught by Les Llewellyn, who was himself taught by the late DJ Davies, a master in the craft. Les provided us with a set of formas which are exactly the dimensions which DJ Davies originally used. The ribs are made by splitting very stout willow in half using a knife or two thumbs. The ribs are then shaped by shaving the sharp edges off to form an oval which will not skin the weaving willow as it passes over the ribs. The ideal shape is an almond ‘eye’ shape with no sharp edges. It takes a lot of practice to achieve this! Once the hoop has dried it is joined by cutting two slypes that fit snugly together and then wood glue is used to ensure a really strong frame. 4 ribs are then attached to the hoop with 4ft willow which is firstly criss crossed and then simply woven in and out. The willow is always joined in with butt first – the butt resting along the rib which is closest to the hoop. It is very important that the butts are trimmed neatly and in line with the rib. New ribs are added in as soon as a pocket has been formed by the weaving. If this has peaked your interest, why not join Les and I to learn how to make a Cyntell yourself! Details are on this page.  A happy customer on a Cyntell course |
AuthorI am a Welsh basket maker, weaving and teaching in South Wales, everything from traditional welsh 'cyntells' to woven sidecars! Archives
April 2020
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